Dopamine    2023  STATION Gallery  For this exhibition, Bohunnis has turned their attention to the complexities and trappings of pleasure, from both a personal and neuroscientific standpoint. Drawing on their personal history of opioid addiction, B
       
     
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  Anhedonia   2023  Silicone, marble, stainless steel  1900 x 1200 x 900 mm
       
     
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  Hedonic Balance   2023  Stainless steel, silicone , marble  500 x 1380 x 2050 mm
       
     
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  Hyperalgesia    2023  Stainless steel, silicone, marble  2480 x 360 x 980 mm
       
     
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  Dopamine    2023  STATION Gallery  For this exhibition, Bohunnis has turned their attention to the complexities and trappings of pleasure, from both a personal and neuroscientific standpoint. Drawing on their personal history of opioid addiction, B
       
     

Dopamine

2023

STATION Gallery

For this exhibition, Bohunnis has turned their attention to the complexities and trappings of pleasure, from both a personal and neuroscientific standpoint. Drawing on their personal history of opioid addiction, Bohunnis delves into the complexities of seeking pleasure safely in a society where dopamine has become a form of currency, and indulgence and abundance are both prioritised and politicised.

The human experience is intricately woven with pleasure and pain, which operate through an opponent process mechanism in the brain: an experience of one automatically triggers the other. However, in its quest to maintain equilibrium, the brain often overcompensates, releasing twice as much of its opposing force. Thus, in the pursuit of pleasure, we unknowingly amplify pain; in our attempts to mask pain, we eventually diminish our ability to endure it.

In form, Bohunnis’ work often leans toward the abject as a way of negotiating bodily and political identities. Bohunnis’ new series of greyscale prints and digital collages depict imagined and abstracted networks that represent the channels, synapses, glands and energy sites where these intricate chemical processes take place. In the centre of the gallery space, an installation of sculptural forms with sodden and slumped marble and silicone extrusions takes centre stage – a tangible reminder of the fragile equilibrium required to achieve true balance.

Acknowledgements:

I would like to thank Patrice Sharkey, Eva Gräbeldinger and Michelle Nikou for your multitudes of support and care. Thank you Ryan Campbell, Brent Quilliam and George Street Studios for generously guiding me through new materials and answering every question.

The prints were developed and produced at Frans Masereel Centrum in Belgium. Thank you Frans Masereel Centrum for hosting me and thank you to The Ian Potter Foundation and Arts South Australia for funding the residency. This project was generously supported by The Australian Government through the Australia Council, its arts funding and advisory body. And finally, a big thank to STATION.

Photo: Simon Strong

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  Anhedonia   2023  Silicone, marble, stainless steel  1900 x 1200 x 900 mm
       
     

Anhedonia

2023

Silicone, marble, stainless steel

1900 x 1200 x 900 mm

5DE4D261-951C-4CF2-94FB-F91472A7031C.jpeg
       
     
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  Hedonic Balance   2023  Stainless steel, silicone , marble  500 x 1380 x 2050 mm
       
     

Hedonic Balance

2023

Stainless steel, silicone , marble

500 x 1380 x 2050 mm

275D830F-AAE0-4404-8265-75ADE9325487.jpeg
       
     
B53FEEE6-D1AB-4048-A12D-CD3888CB711E.jpeg
       
     
  Hyperalgesia    2023  Stainless steel, silicone, marble  2480 x 360 x 980 mm
       
     

Hyperalgesia

2023

Stainless steel, silicone, marble

2480 x 360 x 980 mm

2793F21D-E1F1-4946-AA28-EA556561099A.jpeg